"Braunsdorf's '36 Chevy"
[An excerpt from my book Behind The Door: Portraits of a Peninsula]
83-year old Darrell Braunsdorf parked his father’s 1936 Standard Chevy Sedan in a field behind his house 65-years ago. It has not moved from that spot since. The last plates he purchased are still attached—1959. Over the decades it has been settling into the soft clay soil, ravaged by the elements, homed by various wildlife, disfigured by vandals. It also makes for a magnificent foreground subject complementing a late spring appearance of the Milky Way .
[An excerpt from my book Behind The Door: Portraits of a Peninsula]
83-year old Darrell Braunsdorf parked his father’s 1936 Standard Chevy Sedan in a field behind his house 65-years ago. It has not moved from that spot since. The last plates he purchased are still attached—1959. Over the decades it has been settling into the soft clay soil, ravaged by the elements, homed by various wildlife, disfigured by vandals. It also makes for a magnificent foreground subject complementing a late spring appearance of the Milky Way .
[An excerpt from my book Behind The Door: Portraits of a Peninsula]
83-year old Darrell Braunsdorf parked his father’s 1936 Standard Chevy Sedan in a field behind his house 65-years ago. It has not moved from that spot since. The last plates he purchased are still attached—1959. Over the decades it has been settling into the soft clay soil, ravaged by the elements, homed by various wildlife, disfigured by vandals. It also makes for a magnificent foreground subject complementing a late spring appearance of the Milky Way .
Media: High-Gloss Hahnemühle 100% Cotton Photo Rag Baryta 315gsm fine art paper Ref. No. 10 641 440. Printed on an Epson SureColor P900 inkjet printer at a minimum of 440 dpi resolution, with Epson Ultrachrome PRO10 pigment inks and lustre coat surface finish.
Fine Art Photographic Print created using the highest quality archival components available to ensure longevity. With proper care it should last for generations. The artist offers prints in an authorized signed, dated, numbered, and size-limited edition of 25 images. The artist’s signature on the CoA attests that each has been personally photographed, post-processed, individually printed, inspected, controlled, approved, and numbered by the artist. There are no unauthorized, unsigned and/or unnumbered prints. The original digital file has not been destroyed. Artist reserves the right to reproduce images in other limited edition sizes and outside the limited edition series in books, magazines, press cards, and for licensing. Additional media and custom sizes available upon request.
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